The Haunting Reality of Being a Refugee and Queer in “Label Me”

The 27-year-old director of the 2019 one-hour feature drama Kai Kreuser says “Label Me” was supposed to be a cheesy romantic movie. We’re glad that it isn’t one. Kreuser took his own time during its development, which is probably the reason that this feature is layered, and portrays power dynamics among a closeted and out queer persons exquisitely. Continue reading The Haunting Reality of Being a Refugee and Queer in “Label Me”

Unruly Visions: Understanding and Interrogating Queer Diaspora Via Visual Culture

Unruly Visions: The Aesthetic Practices of Queer Diaspora (Zubaan, 2019), is a work of immense scholarship by Gayatri Gopinath. Itis a quest to studying, evaluating and meditating queer studies and diasporic areas through different avenues of visual culture — movies, texts, photography etc. Continue reading Unruly Visions: Understanding and Interrogating Queer Diaspora Via Visual Culture

The Porous Border of Gender in “Please Mind the Gap,” Or Anshuman: An Identity in Transition

An interesting border, if I may say so, of ‘gender’ is navigated in one of the most deftly made short-films exhibiting and highlighting the concerns of the LGBTQIA+ community – Please Mind the Gap.  And, our navigator is Anshuman, a transman. I happen to watch, Please Mind The Gap – a short film by Mitali Trivedi and Gagandeep Singh at the Open Frame Film Festival held at … Continue reading The Porous Border of Gender in “Please Mind the Gap,” Or Anshuman: An Identity in Transition